Working it Out

 

I kinda sorta knew this would be hard to put together so it wouldn't look choppy. And I kinda sorta knew that the large range of value in the green blocks wouldn't work all that well, but dummy me, I made them anyway. (Hope springs eternal.)

I decided to arrange the blocks Blue-Green-Pink. this would create diagonal rows of the same color. I would consider the fabrics with the black backgrounds to be whatever color they were. I liked that better, but it was clear some blocks were simply too dark. I identified those blocks by tilting them at an angle. I will make new ones (duh).

Happy Thanksgiving!

Happy Thanksgiving!

I am thankful all members of my family are healthy and safe. I am thankful for my friends all over the world who share my quilting life. I am thankful for my health.

 

I am also thankful for my friends, even when they put confetti in the holiday cards they send!

A Quilt for Cat

The day after the election I was chatting with a dear friend whose family refers to me as an honorary "Auntie". My friend's college age daughter ("Cat") is what is now considered "non-binary." She asked her mother if she would have to marry a man so she could get health care and other benefits. What a hell of a question! I asked if her daughter needed a quilt, because I couldn't give her a hug.

After going back and forth a bit, I got the following list of colors. "Pink, Green, Blue and Black." OK, I thought, I can work with that.

I decided to use the same pattern I used for the Cobblestones quilt. I gathered up some fabrics and got to work.

These are the green, pink and blue blocks.

For the black, I decided not to make the same kind of blocks, but use large prints of pink, green and blue on a black background.

Susan’s Nightingale Quilt

 

At the beginning of October, when I was just getting started with the first Nightingale quilt, I sent a photo to my friend Susan in California. It was a Sunday morning, just after lunch at my house in New England.

Less than five minutes later, my phone rang. It was Susan, calling from California.

"OH MY GOD LYNNE!! It's beautiful. I WANT ONE!"

(She says she got my photo and couldn't get to the phone fast enough.)

I told her how to make it, and then wrote the Nightingale tutorial.

Susan helped me proofread the tutorial and beta test it. She went shopping for fabrics with black backgrounds, and then got to work. The photo above is the version she will sew together. We both love it.

Susan has several insights into the Nightingale quilt. She said when she started sewing the blocks together that she began to doubt herself, but she kept going. "The more blocks I put on the wall, the more I liked it." She says it was really easy to make, and laughingly said "I think you could be blind and make this quilt and it will still be successful." She says you have to have faith, and let go of any sense of control over making this quilt. "The fabrics do all the work."

She says she can't believe how beautiful it is. "And it will go anywhere, with anything, and fit in any room. And it's practically foolproof."

It's nice to know I don't have rocks in my head.

Cobblestones, Quilted

 

I picked up the Cobblestones quilt from Janet-Lee yesterday, and will add the binding later today.

It's really pretty, although it's a very quiet quilt.

Georgia O'Keeffe

 I went to see the Georgia O'Keeffe and Henry Moore show at the MFA in Boston yesterday.

She is one of my favorite artists. Although I am very familiar with her work, as I stood there looking at the  paintings, I suddenly realized that I knew them as iconic images, but not PAINTINGS!

There were very few that I had never seen (in books) before.

This one, I've had a poster of it hanging in my house for years, and I had a postcard so I used it as a bookmark.

But I had never really appreciated what a great painter she really was. I enjoyed being able to get up close and really admire the details in her work. I know you've probably heard it before, but artwork looks so much different in real life than it does in photographs.

It was really eye-opening. I had a wonderful day.

Blue Willow, I think

 The blue and white quilt based on the little blue and white china tray is complete. This quilt will not have a border. I have already ordered the backing and have decided to use a WOW for binding. Pretty sure I will name this quilt Blue Willow.

This is a flimsy I made from the leftover strips from the Zebra quilts. It has been hanging in my closet for some time. I bought the backing fabric on sale and have decided it is time to get this finished. I always lay the backing on the floor and then set the quilt top on top so I can be absolutely sure it is the right size before I bring it to be quilted. This will be a donation quilt.

Speaking of which... I have been making quilts for all the important people in my life. I have a friend in California and I told her I'd like to make her a quilt. She wrote back telling me that she was trying to de-clutter her house (she is 78) and that she didn't need one more thing, though she thought the thought was lovely.

I spoke with her yesterday and she happened to mention her husband was doing some volunteering, helping folks who had been displaced by the fires in California. That gave me an idea. "How about I make a quilt you can donate?" I asked her. She didn't think I should spend the money for shipping the quilt all the way across the country. I thought again, "Well, how about I donate it in your name to a worthwhile cause around here?" She thought that was a great idea. So that is what I will do with the Bright Cobblestones quilt.

Schoolhouse Quilters of Shrewsbury MA

 

I spoke at the Schoolhouse Quilters of Shrewsbury on Sunday. They had asked me to speak about my word quilts so I brought 17 of them, including both versions of the Rules quilts. Here I am pointing out the lady standing in for the letter I on the black version.

About four quilts in one lady at the back raised her hand and asked if my quilts were paper-pieced. I said they weren't, and that they weren't made with any patterns or templates either. She wanted to know how I did it. I wasn't quite sure how to answer, because to me it’s like breathing (meaning I don't think about it).

"I just take one piece of fabric, sew it to another one, press it, and then trim the edge if it isn't straight, then add the next piece and keep going..." I really didn't know what else to say. It wasn't a question I expected. 

I brought the quilt Julie Sefton made from my leftover bits and pieces. Here I am showing the original letters for the Daft Zebra quilt that did not work. "Just because letters don't fit in one project doesn't make them worthless," I pointed out.

Whenever I speak about my quilts I bring this flimsy I made of leftover letters and bits. I show the reverse, which is neat, primarily to dispel the notion that "free-pieced" is not sloppy workmanship.

The program coordinator wrote to me and said everyone in the guild had had a great time and they wanted me to come back for another talk or a workshop.

I had a good time.

New Blue Table Quilt

 

This is my interpretation of the Happy Stripes quilt. I made some strip sets then decided where the snowball triangles should go.

After that I decided to custom make each block, so here is how I decided how to make the blocks.

Then I used a leftover HST to figure out where the white HST would go, and took a picture so I would know how to sew it together.

This has eight rows, and I need nine, and I wasn't thrilled.

I tried rearranging the blocks, but this didn't exactly thrill me either. I needed nine rows and this left a row of what looked like half blocks that looked weird. 

So I put it all back the way it was, and started sewing it all together.

Last month I sewed rows in a quilt the wrong way - TWICE - so I worked out a way to make sure I got the rows in the right place:

I used safety pins attached to the left edge of the quilt. For rows one to five, I attached that number of safety pins to the edge. For rows six through nine I put one safety pin in the bottom half of the block, representing FIVE, and then in the top half the number of safety pins that plus five would add up to the row number. In the photo above you can see rows six and seven.

Hey, whatever works!

The quilt needs a name. it's blue and white. Got any suggestions?

A New Table Quilt

I love blue and white serving dishes and have been collecting them over the years. I got this small tray recently and realized I should make a blue and white quilt for my table.

 I have a lot of blue and white dishes and serving dishes that I've been collecting over the years and I thought I should make a blue and white table quilt.

I cut a lot of medium, dark and light blue strips and sewed them together into squares, then I added a snowball corner of a WOW.

I have to make 63 blocks, because I calculated I would need nine rows of seven blocks for the table quilt. It's looking nice.

On Sunday I'll be speaking to the Schoolhouse Quilt Guild in Shrewsbury MA about my letter quilts. I've got my speech ready and I've packed my quilts. I'll let you know how it goes.

Greensleeves Beauty Shots

I voted, then I did my errands and on my way home I drove by this gate and KNEW it would be a perfect location for beauty shots of the Greensleeves Zebra quilt.

I think this is such a pretty quilt. Showing you this also gives me an opportunity to remind you of the updates I made to the Zebra Quilt Tutorial, available here, in my Etsy shop. I have added ten pages to the tutorial. I showed what to do if you cut a triangle wrong, a more efficient way to cut the pieces, and I have added instructions to make the Fourth of July quilt.

 

Cat's Quilt, Flimsy Complete

Once I figured this quilt out it didn't take long to sew it up.

Here is the finished flimsy.

Or rather it would have been finished had I not felt so awkward about it.

 

So I decided to add a border of black with the colors of the quilt. I think it really finishes it off.

Here's a close-up. 

Peonies Goes Home

Have you ever met someone and had an instant connection? That's what happened when I met my friend L, above. L is from Uganda and I can fully understand her about 85% of the time, but we still manage to communicate very well.

I knew I'd make her a quilt, but we were both so busy it took a while for us to actually get together and talk about it.

We started talking about her colors and I grabbed a piece of paper. "Let me write this down so I don't forget," I told her.

Imagine my surprise as she listed the colors she liked. They were the colors of the triangles that were already on my design wall. 

"That was providential," I thought to myself. When I told L about it when she picked up her quilt, she was not surprised at all. "Yes," she said."that is God. That is Love."

Which is no surprise to any of us that make quilts for others.

This is a Scrap Slab Triangle quilt. If you want to make one you can get my tutorial here at my Etsy shop. It's an instant download so you can get started right away.

You can see all eleven of the Scrap Slab Triangle quilts I have made here.

The Original Black Quilt

 

This is the quilt that inspired the Nightingale quilts. This is actually the first time I have looked at it like this - on a wall. I made this quilt over 20 years ago. Clearly the fabric selection was very different back then.

I've talked about this quilt before, and the story is worth retelling.

My grandmother made us all quilts for our beds. I wrote a blog post about it ten years ago and you can read it here: How my Memere made quilts. Around 2000 the quilt I had for my bed that my grandmother  (Memere; pronounced "Mimm-may") had made for me in the 80's (when she was 75) was falling apart. I needed a new one. So I decided to make one for myself. 

I had been making some fabric chessboards, and doing some other sewing, and I found I liked fabrics with a black background. I wondered what a quilt made strictly from those fabrics would look like, so I began to collect them. I would buy half yard cuts of whatever struck my fancy. I found fabrics with dots, colorful beetles, chopsticks, vegetables, flowers, all kinds of stuff. I bought the fabrics over the period of about a year. I didn't have any particular theme in mind. I just bought stuff I liked. There were Oriental florals, there was travel stuff, things we now call "Novelties." I just had fun.

When I decided I had enough fabric, I got started. Like my grandmother I didn't want to cut squares, but I wanted to use the strip piecing method, so I figured out how to cut my fabric and sew it together rather efficiently (all this is in the Nightingale tutorial, so I'm not going to detail it here.) The quilt went together pretty quickly. I ordered six yards of an Oriental floral print and used it on the back. Like the quilts my grandmother made, it had no filling or batting, and was tied. I folded the back over to the front and sewed it down.

I put it on my bed, over the top sheet and under the blanket, and it has been there ever since. Really funny, I know, to have a beautiful quilt that nobody ever sees.

In 2009 I was making my quilt, Letters From Home, and I thought I perhaps ought to see if there were any quilt guilds in my area. I had gotten back into quiltmaking from the internet, so I was working alone and thought it would be nice to get to know some local quilters.

I attended a meeting, and since my Letters from Home quilt was away being quilted, I brought the only other quilt I had made - the black quilt that was on my bed, the one in the photo at the very top of this post. I waited to show my quilt at the group's "show and tell." I was the last in line. When one gal got up and said she had a quilt she said was "kinda wild" I scooched over so I could see what it was. It was a quilt of red and yellow on a beige background. That did not meet my definition of "kinda wild."

Now I have to tell you. I have always known I was different. I always knew I was what my mother lovingly called "an odd duck." I knew the quilt I held in my arms was different from anything this group had seen. I mean, it was mostly BLACK, but even I did not anticipate the reaction I got when I finally held my quilt up for the group (It is 72" x 95" so I had help.)

Dead Silence.

I talked about my quilt, told the story of why it was the way it was, but there was no reaction. Nobody said anything. Nobody asked any questions. Nobody had any comments.

The silence grew, and grew.

I sighed, and as I began to fold my quilt and walk back to my seat I heard a whisper...

"That's beautiful."

I brought it home and put it back on my bed. "Yup, Lynne, you're weird," I thought to myself.

But the reaction always bugged me. When I was cleaning and reorganizing my stash a couple of months ago, I decided I was going to make another black quilt, and started cutting strips for it. When I texted pictures to a friend in California, she called me less than five minutes later and exclaimed, "OH MY GOD LYNNE, THAT'S GORGEOUS! I WANT ONE."

That started the whole Nightingale process.

I needed better pictures for the new tutorial, so when I changed the sheets the other day, I took the quilt off the bed and put it up on the design wall, then went across the room to look at it.

And that's when I got it. I had only ever seen the quilt on the bed. I had never seen it on a design wall, or held up, like I had held it up for that quilt guild. Standing across the room, looking at the quilt on the wall I could see that those ladies saw that night - they saw nothing like any other quilt they had ever seen before. It is a quilt that is all about surface pattern - about the interplay of the colors - and not about patchwork. It really wasn't a black quilt at all. Even I am surprised by how much pattern is in it.

It is beautiful. I knew that.

The Updated Zebra

 

I love taking an idea and pushing it around, seeing where I can go with it. 

When I made my son a chessboard out of fabric way back in 2000 (can it really be 24 years ago?) I never expected to make a quilt out of the leftovers, or that I'd be selling a tutorial about making them 20 years later.

At any rate, I have made nine of the so-called "Zebra" quilts, and since I published the tutorial in 2020 I have made three more quilts, which have taught me things I didn't know when I wrote the tutorial.

I have been working on updating the Zebra tute with those things, and have added ten pages of information. I've figured out how to fix a triangle if you have cut the wrong one (there are four different triangles and they aren't easily interchangeable); a more efficient way of cutting them out, and I've included instructions on how to make the Fourth of July quilt.

The new Zebra tutorial is live!

You can get all my tutorials here, at my Etsy shop.