It was from Cherie at Quilted Jonquil.
Underneath a lovely note and some Halloween strips for future houses, was this terrific stash of selvages!Woo hoo! Thanks Cherie!
It was from Cherie at Quilted Jonquil.
Underneath a lovely note and some Halloween strips for future houses, was this terrific stash of selvages!
These aren't the fabrics you're looking for...
So I can't tell you I'm making a quilt with 
As soon as she put it on, she didn't want to take it off, and showed it off to everyone.
I had a good time making it for her.
We saw a lot of sculpture, most on loan from the Hirshhorn Museum. I really liked this one,
Castle of the Eye by Minoru Niizuma, made of Carrara marble. It's bigger than it looks. It's 168" tall, by 36" by 36".
That it is reminiscent of a quilt has nothing to do with it.
This sewing machine was used in the late 1800's (dunno for sure, head too full of fuzz) to make sails. The thing was at least 30" wide, and the "throat" a generous 12" or so. I was so taken with it, I did not take a photo (with my cell phone, no less) of the stuff UNDER the table, so I can't tell you if it was a treadle machine or not.
Everybody in Devon's family was already in the quilt, and many of our friends are represented by the cats all over the quilt. What to do... what to do...
His brother and sister immediately recognized the houses they colored, and were very happy to see their houses in the quilt. His Mom has renamed the Rocket House. Now it's called "The Dream Ship."
O Sewing Machine, O Sewing Machine,
But I was bound and determined to clean the sewing studio before my trip to later this week. So here are two pictures of the process. I had a huge pile of bits and pieces and I got out all the little bins. It took me about two hours to sort through them.
Now the room is nice and clean, and all the bits are sorted. Woo hoo!
I'll think about it.
I thought you'd all get a kick out of hearing my running frustrations with the Quick Brown Fox quilt. The fact is if artists do the same thing they're good at day in and day out, their work becomes boring (to themselves) and stale. So artists always find ways to challenge themselves. They grow, they increase the level of difficulty, they always find a new problem to solve, or a new way of looking at something, and give their viewers a fresh way of seeing the "same old thing."
It started because I thought there was too much space between the words "brown" and "fox." So I sewed them closer together. And I didn't want "The" to be too close to the big pink flower on the left, so I slid "The quick" over to the right. Then, if the dog was going to be UNDER the fox, and not too far to the left, I had to move the fox to the right. But then his nose was too close to the blue butterflies, so I had to move those. And of course I liked the bird on the flower. Then I liked the blue butterfly so much, I made another one, because it would look like the fox disturbed them by jumping. They have to come out of a flower, of course. And my friend thinks the dog should have a bone, but now she wants a snail too. And of course I think it needs more flowers. And it's a hell of a lot easier to lay stuff down on the floor without having to figure out how to the pices together. And if I centered the dog under the fox, there would be too much stuff on the LEFT side, and it would be too heavy. But the fox needs to have space to jump INTO, so there has to be space on the left, I mean right, (and yeah, wouldn't it be cool if there was the back end of a rabbit running into the bushes off to the side of the quilt.) And I'm gonna have to make more flowers to fill up the empty space, and if I want a flower to the left of the fox, under his tail, I'm gonna have to take something apart (for only the sixty-seventh thousand time), and I lost the green button I wanted to use as the fox's eye, and I have to get the ladder out to move stuff around on the design wall and every time I move stuff around, crap falls down behind the bookcase, and I have to take a picture so I remember what I want it to look like so I can sew it together, and I still have to make the row of brightly colored "dots" and of course I have to pack for my trip...
Next up, figuring out where to place the words "jumps over" and the dog. Once that has been decided, the various flowers and extra goodies will be determined.
Should the letters (and the dog, since the dog seems to look best directly under them) be pushed a bit to the left? (middle photo)
Or should they be pushed WAY over to the left... (bottom photo) not sure about this at all.
A few yellow-orange and pink batiks, this lovely brown leaves batik (which looks just like a tabby cat, btw) and this wild Free Spirit I got on sale. I also bought a wonderful spring-y Art Nouveau inspired fabric (across the top).
This is going to be the backing of the Quick Brown Fox.
We all learn by trial and error, but sometimes we get so frustrated when "nothing" works, we give up. Knowledge saves time. I know how to achieve what I want, which is a direct result of my training.
Here's The Quick Brown Fox after a little time in the sewing room on Friday. I think I'm going to make a smaller butterfly to go under the blue one (and this one will likely point in the opposite direction). I love the bird on the flower. The pinkish-purply flower on the left needs work. I think it works better with soft corners.
My mother continued, "Everybody loves it, but it's not you anymore. The stuff you do now is amazing. I want the new you."
My grandmother used to say "If wishes were horses, beggars would ride."
So, no sewing.
I might have a row of on point squares, like these, as a border, going all around the central design. Of course, they wouldn't be all one color, but all the brights, not arranged in a rainbow (because, you know, that would be boring and predictable, and we don't want that!) but willy nilly, like a big dotted line around the perimeter. It would hold the design IN and yet carry the colors all around. Yeah, I think I like that. Then the quilt would have a plain binding.
But I think it looks too naked. I think it needs some kooky zing.
The layout is by no means final. Sorry the photos are a bit overexposed. You can click them to enlarge.
You all know I don't use commercial patterns. If I get an idea, I draw it out, or see a block somewhere, figure out how it's constructed, and go from there. That's what I did here.