After I removed the dark gray, I felt I needed a lighter pink, so I cut a pink Charley Harper fabric with brown birds in it. Then I put them up on the design wall, swapping their positions with the pink blender. Now the gradation from light to dark pink was interrupted, but I liked it better.Next I shifted the position of the lightest gray. Now instead of at one end of a light to dark run, I placed it in the middle of the other two darker grays. This was better.
BETTER, not great! Still a lot of work to do yet.
I also added a very pale pink.
I was getting closer, but it wasn't quite there. I needed a dark pink. "Well, Lynne, " I thought to myself, "you know full well pink is nothing more than a light red violet, so if you need a dark pink, you're going to have to go into your violet pile and find something that will work."
I chose the fabric on the right to be the darkest "pink." The fabric on the left is the same value as the darker pink I had in the design before, but the print on this fabric made it more interesting.
So I made those changes and lo and behold, the design was getting better.
...by the way, you know the world is laughing at you when you realize the shoes you are wearing are pretty much the colors of the project you are working on....
I found a pink fabric with tulips and other flowers, pinks but also some yellows and greens. As soon as I put it up on the design wall I knew it was a keeper.
I was getting closer, but it wasn't quite there. I needed a dark pink. "Well, Lynne, " I thought to myself, "you know full well pink is nothing more than a light red violet, so if you need a dark pink, you're going to have to go into your violet pile and find something that will work."
To my violet pile I went.
During the day I had been texting Julie, and she did not like the Tula Pink Flamingo pink fabric. I was on the fence about it, as well, so back to the stash I went.
I filled in the areas around the edges and am happier with this by the minute.













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