twenty-four, twenty-five, twenty-six.What does one do with twenty-six reds?
Gee... I wonder.
Kick up a little hell, I guess!
I like to use large prints on the backs of my quilts. The back of a quilt is a big area, and if you use a small scale print, it just looks... boring. I like BIG prints. I simply adore a lot of the Westminster fabrics, and the large Kaffe Fassetts, and Jane Sassaman, who designed this fabric.
Yeah, I know these colors are not quite perfect for the quilt, but they match the feel of it, and it's my quilt, so I can break the rules if I want to!
I had to piece two lengths together to get the backing wide enough (the quilt is 50" wide, and the backing has to be 12"bigger...) Fortunately the repeat wasn't big, and I was able to match the pattern with no loss. Woo hoo!
I visited my favorite quilt shop, Quilted Threads, yesterday, bought some fabric, and swapped out The Quick Brown Fox for Nine by Nine, which will be on display there until the fall.
Sometime in the fall, I will be teaching a class on free-pieced letters at Quilted Threads. It will be an all day class on a Saturday. I'll have many of my letter quilts with me for students to see. In the meantime, if you are in New Hampshire, drive on over to Henniker NH and check it out for yourself.
LOL has decided traveling is very nice, but there's nothing like sleeping in your own bed.
This one is going to disappear for sure, and it was NOT my intention. Oh well! Live and learn. It's in the quilt.
It needs a bigger strip of black across the top. Again I have to apologize for the lousy picture. The quilt is positively stunning in real life, but taking photos in my sewing room at 10 PM at night of a black quilt is a recipe for mediocrity. When it stops raining, I'll take the quilt outside and get a really good photo. I promise.
So why do these letters POP so much? A couple of reasons...
You can't get a BRIGHTER orange than an orange. If you make it lighter, it loses some intensity, it gets a bit duller. It's the same thing if you make it darker, you lose the intensity, the brightness. (I swiped this picture from earthinpictures.com)
the brightest color is probably the big pink F, but that doesn't have as much light/dark contrast as the U next to it. These colors are much more subdued than the colors in the black quilt.
and Nine by Nine.
I've photographed them both at the highest resolution my camera will allow, and I haven't compressed them, so you can click the photos, and then click again for all the little details.

There are two red herrings - which is to say two things you ought to be able to see right away. Some of the differences are very subtle.
OK, so you don't get much sewing done when your team is in Game 7 of the Stanley Cup, and then win it. Go Bruins!
I certainly didn't plan on using such a wild print in my Black Rules quilt.
But it works!
I am working on the Black Rules quilt, and choosing fabrics for the big FUN.
I am really, really, really happy with the color flow of these letters. I was so involved sewing them together, so careful about the letter and word spacing, I never noticed the "h" until after the top and bottom strips were added.
I brought the Daft Zebras to work yesterday and hung it up over my desk. Let's just say it attracted a lot of attention, and that I had to explain what a pangram was more than once.
What caught my attention in the lqs last weekend was RED. I thought... hot damn... why not change the second half of the Black Rules quilt and make it move toward hot colors?
The top half of each quilt (IF YOU OBEY ALL THE RULES) is pretty much the same.. same colors and fabric for each letter in both quilts. After that, they are going to be different. The fonts, the shape of each letter will be the same, but the colors will be different. I do plan to include some hidden FUNs in the Black version, and have a unique exclamation mark and point.
HAHAHAHAHAHA!
Here it is, all finished. I am happy with it, but 3/4 of the way through sewing the binding onto the front of the quilt (which was harder than I expected due to the close quilting), I thought this would have been equally successful with a colored binding. It just goes to show that often, there is no single right answer!
I've finished hand sewing the binding on the small Make It Work quilt. Today I'll be sewing down the hanging sleeve. You can click the photo to enlarge, and click it again for more detail.
Julie told me how to make a hanging sleeve, and it's great. It's a "D" shape and holds a quilt beautifully.
Thing is, it takes a piece of fabric the width of the quilt by 24" (Bear in mind the MIW quilt is about 24" square.) I don't mind the fabric requirements, but I like the backings as well as the hanging sleeves of my quilts to look nice, and not be made out of fugly fabrics. However, in the end you only see 6" of that 24", and I hate wasting 18" of "good" fabric (read: fabric I would use in a quilt.)
So I figured out how to use some "fugly" fabric (these roses) in the parts of the hanging sleeve nobody would ever see.
Heh.